Libros Antiguos, Raros y Curiosos – Historia – Otros: Ley de vagos y maleantes. coleccion leyes de la republica. Compra, venta y subastas de Otros en. LEY DE VAGOS, LIBRO-FOLLETO. LEY DE VAGOS Y MALEANTES,TEXTO ÍNTEGRO REPUBLICA. Published by Imprenta Borras,, Barcelona (). La ley de vagos y maleantes fue una ley del Orden Penal español de 4 de agosto de aprobada por las Cortes de la II República referente al tratamiento.
|Published (Last):||26 June 2016|
|PDF File Size:||15.13 Mb|
|ePub File Size:||14.27 Mb|
|Price:||Free* [*Free Regsitration Required]|
At best, these discussions only pepper the larger discussion of the work of the abovementioned novelists. Accordingly, documents repeat that masculine power is needed for government, for the church, for the military, and by extension for the nation as a whole.
Male Sex Work and Society ed.
Campos de concentración para vagos y maleantes en España |
Because Madriz was always connected to state power, the authenticity of these issues were open to question. Her discussion of comics stems from this introduction of homophobic policies under Franco which, in the s, the Spanish government tried hard to erase and overcome. The author suggests that Franco imagined that the economic lag of s Spain, compared to the rest of Europe, was a direct result of its “feminized” position due to the homosexual “threat,” as opposed to the effects of fascism.
Ghost Stories for Darwin: She believes it is necessary to consider the unspoken social effects of homophobia alongside the blatantly homophobic laws and policies of Spain in order to better appreciate how leu artists, writers and filmmakers chose the “queer” subject as the road to freedom.
Please see our legal notice.
She analyzes the comic in particular because of its populist vahos urban connection as a cultural and ideological product.
Álvarez Jusué, Aurelio
Vice Queens and White Slaves: From Franco to Maleanes Movida. The author interestingly claims that under oppressive authoritarianism the entire Spanish population was “feminized” through curfews, silencing and physical limitations; in other words, experiences that would normally be the maleanntes of women were applied to all. Built on the Johns Hopkins University Campus. All authors and artists retain copyright unless otherwise noted. Samuel review Carrie A.
Sippial review Sarah L. Gracia and Geisdorfer Feal eds. Her choices are meant to demonstrate clear reinscriptions of gay, lesbian, bisexual and transgender bodies as signs of progress. Malexntes MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
By placing “high” cultural texts, mainly novels, and “low” cultural texts, comics and film, in conversation she reveals how the revolution of the queer should be read as both an effect of a reimagined democratic identity and, to a large degree, one directly responsible for the creation of that identity.
Contact Contact Us Help. She argues that the “homosexual” body can be read as a text upon which the government of Spain routinely inscribed its own nationalist propaganda from the end of fascism through emerging democracy she focuses on the s to the s.
Ley de vagos y maleantes – Wikidata
Rape in the Republic, — Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.
She notes as an example, that the pre-war Ley relative a Vagos y Maleantes The Law of Vagrants and Thugs from does not mention homosexuality as a “crime,” but then, in post-war Spain, homosexuals are considered dangerous and subject to the legal reprisals of the work camp, segregation and surveillance.
The main goal of Madriz was to try to reshape the identity of Madrid as a micro nation — as a community of progressive urbanites — and the comics promoted that value system. To show the complex relationship of body to text sthe author chooses works that reflect the concerted effort of Spanish society to recover from the effects of fascism.
Its cross-cultural and cross-disciplinary character brings together original articles and critical reviews from historians, social scientists, and humanities scholars worldwide. Interestingly, she finds that the state funded comic, Madrizbecause its collective of artists had access to money, actually challenged social boundaries — sexism, homophobia, class and language — more than comics created by individual artists which survived through capitalism.
It does mlaeantes accurately present a full study of “high” and “low” culture on an equal plane, as the author posits in her introduction. Queer Transitions in Contemporary Spanish Culture: Emotional Expression and the Construction of Heterosexuality: Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.