So Hans Robert Jauss is a little off the critical grid, but if you’re into reception theory—and who isn’t?—he’s your man. In fact, he invented the term “reception. Drawing on philosophical hermeneutics, Jauss argued that literary works are Unlike most varieties of reader‐response theory, then, reception theory is. In , Hans Robert Jauss’s Literary History as Provocation of Literary Theory marked the beginning of the aesthetic of reception as one of the most powerful.

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Reception theory – Oxford Reference

Reference entries Reception theory in Encyclopedia of Rhetoric Length: A form of reception theory has also been applied to the study of historiography. Retrieved from ” https: Sign in to annotate. Reception and Reader-Response Theories. More Like This Show all results sharing this subject: Hall also developed a theory of encoding and decoding, Hall’s theorywhich focuses on the communication processes at play in texts that are in televisual form.

The theory recognizes that there is no single reading of a landscape that fulfills its entire potential, and that it is important to examine the motives of visitors and the factors influencing their visits whether they read guidebooks about the place before visiting, or had strong feelings about the place or the designer, for instance.

Drawing on philosophical hermeneutics, Jauss argued that literary works are received against an existing horizon of expectations consisting of readers’ current knowledge and presuppositions about literature, and that the meanings of works change as such horizons shift.

Reception theory

Umberto Eco coined the term aberrant decoding to describe the case when the reader’s interpretation differs from what the artist intended. Reception theory also tends to de-emphasize commonly used terms of description like ‘formal’ and ‘picturesque’, unless those terms were known to have meaning to landscape visitors themselves.

According to Harold Marcuse[2] reception history is “the history of the meanings that have been imputed to historical events. Reception receptioh is generally referred to as audience reception in the analysis of communications fheory.

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Instead of an “implied reader”, reception theory of landscapes assumes an “implied visitor”, who is an abstracted concatenation of responses of many visitors at different times. In literary studies, reception theory originated from the work of Hans-Robert Jauss in the late s, and the most influential work was produced during the s and early s in Germany and the US Fortierwith some notable work done in other Western European countries.

Reception theory has also been applied to the history and analysis of landscapes, through the work of the landscape historian John Dixon Huntas Hunt recognized that the survival of gardens and landscapes is largely related to their public reception.

This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations.

In literature, the interaction between text and reader occurs within a framework that controls and limits the interaction, through genre, tone, structure, and the social conditions of the reader and author, whereas receptipn landscapes the interaction occurs through movement and viewing, framed by typology instead of genre and tone. July Learn how and when to remove this template message. Reception theoretical analysis of architecture differs from typical writing on the history and analysis of landscapes, which tends to focus on the intentions of the designers, the conditions leading to the creation of the design, and the building process.

Search within my subject specializations: This page was last edited recwption 14 Novemberat A basic acceptance of receptjon meaning of a specific text tends to occur when a group of readers have a shared cultural background and interpret the text in similar ways.

In essence, the meaning of a text is not inherent within the text itself, but is created within the relationship between the text and the reader.

Publications Pages Publications Pages. Medicine and health Music Names studies Performing arts Philosophy. It traces the different ways in which participants, fheory, historians and other retrospective interpreters have attempted to make sense of events both as they unfolded and over time since then, to make those events meaningful for the present in which they lived and live.


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Working Papers in Cultural Studies. Sign in with your library card. Susan Bennett is often credited with beginning this discourse. Please help to improve this article by introducing more precise citations. From Wikipedia, the free encyclopedia. Reception theory is a version of reader response literary theory that emphasizes each particular reader’s reception or interpretation in making meaning from a literary text. Under the terms of the licence agreement, an individual user may print out a PDF of a single entry from a reference work in OR for personal use for details see Privacy Policy and Legal Notice.

Literary theory Theatre studies Historiography.

Reception theory – Wikipedia

Reception Aesthetics in Receptipn of Aesthetics Length: By using this site, you agree to the Terms of Use and Privacy Policy. Show Summary Details Overview reception theory. Views Read Edit View history.

The cultural theorist Stuart Hall was one of the main proponents of reception theory, first developed in his essay ‘Encoding and Decoding in the Television Discourse’. A branch of modern literary studies concerned with the ways in which literary works are received theorg readers.

Articles lacking in-text citations from July All articles lacking in-text citations. One key difference between reception theory in literature and reception theory in landscape architecture is that while literary works are accessible only to the imagination, physical landscapes are accessible to the senses as receptino as to the imagination.

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It is likely that the less shared heritage a reader has with the artist, the less he or she will be able to recognise the artist’s intended meaning, and it follows that if two readers have vastly different cultural and personal experiences, their reading of a text will vary greatly.

Reception theory has since been thory to the spectators of performative events, focusing predominantly on the theatre.