Erkki Huhtamo, media historian and pioneering media archaeologist, is Professor in the Department of Design Media Arts at the University of California, Los. Visit ‘s Erkki Huhtamo Page and shop for all Erkki Huhtamo books. Check out pictures, bibliography, and biography of Erkki Huhtamo. Erkki Huhtamo, author and Professor of Media History and Theory at UCLA was keynote speaker at Scandinavia House, NYC which launched Streaming.

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Although there is a strong emphasis on technology, Mannoni also discusses its applications and discursive manifestations.

He is one of the founders of an emerging approach to media studies known as media archaeology. Media archaeology rummages textual, visual, and auditory archives as well as collections of artifacts, emphasizing both the discursive and the material manifestations of culture.

The onslaught of digitalization is forcing cinema to rethink both its cultural position and its history. When classifications of media archaeology have been attempted, a binary division has usually been drawn between the socially and culturally oriented Anglo-American studies and the techno-hardware approach of German scholars, who have taken their cue from Friedrich Kittler’s synthesis of Foucault, information theory, media history, and McLuhan’s emphasis on the medium as the message.

The German tradition has been claimed to emphasize the role of technology as a primum mobile, which has led to accusations about technological determinism, whereas Anglo-American scholars often assume that technology gets its meanings from preexisting discursive contexts within which it is introduced.

In the early decades of the twentieth century, art history also huhtaml proposing ways of recontextualizing art within textual traditions and expanding its own reach to visual huhtzmo that had traditionally been left outside its confines. The illustrations, selected by the British scholar Olive Cook mostly from the great collection rekki John and William Barnestold an entirely different story, pointing out phenomena and potential connections omitted by Ceram.

The need for contextualization and intermediality was expressed well by Thomas Elsaesser in an article entitled “The New Film History as Media Archaeology”: One alternative is the recent influx of archaeologically oriented works concentrating on the hhtamo dimension of culture and history. However, these pioneering works represent only one of the possible roads toward media archaeology.


This has led to intriguing parallels and connections between research and artistic creativity. Zielinski began turning toward two seemingly opposite directions that in the end pointed to the same goal, offering to break the psychopathia medialis of modern media culture. Huhtamo’s approach does not only identify topoi, trace their trajectories, and explore the circumstances of their reappearances.

Museums in a Digital Age. Ceram’s Archaeology of the Cinema Simulators eekki the Quest for Total Immersion. It took me more than a decade, and made me travel all around the world looking for clues.

Jahrhundertedited huhtami Brigitte Felderer, I use them in my research and teaching, and also to illustrate my books, as you can easily see from the pages of Illusions in Motion. Dismantling the Fairy Engine: How to Make – His recent ongoing project named Variantology, a series of anthologies based on international workshops, seems etkki have been calculated to take his plea for a radical heterogeneity to a new level.

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Interactive Art as Metacommentary. There is no separation; instead, there is constant interchange, a cruise in time. He is internationally known as a pioneer of an emerging approach to media studies called media archaeology. Such “nomadicism,” rather than being a hindrance, may in fact match its goals and errkki methods, allowing it to roam across the landscape of the humanities and social sciences and occasionally to leap into the arts.

It also contained a special section, “Aspects of the Video Recorder in Pictures,” a kind of visual essay that already pointed toward media-archaeological ekki. Toward an Archaeology of the Screen.

Everything that did not fit neatly into this narrative huhtamoo left out, no matter how interesting it might otherwise have been. At DMA his areas are the history and theory of media culture and media arts.

Erkki Huhtamo

For some researchers, the main concerns are social or psychological, while for others they are economical and ideological, or motivated by search for technological determinants behind the myriad manifestations of media. The scroll is advanced by turning the feet. Dolf Sternberger’s Panorama of the Nineteenth Century, originally published in German inalso anticipated issues that became important to media archaeology.

It came with a written narrative, tiny tickets and a poster to be performed in the home. Numerous studies and collections addressing the media’s past s in relation to their present have appeared in recent years. The history of aviation? Table of Contents List of Illustrations Acknowledgments 1. Zielinski’s pleas for openness, curiosity, and “traffic” between hujtamo are commendable, but his apparent resistance to systematization and theorization runs the risk of atomism.


ERKKI HUHTAMO – ADA | Archive of Digital Art

Anonymous History, Arcades, and the Museum without Walls Early media scholarship was associated with research on the impact of technology on human civilizations, typified by Lewis Mumford’s classic Technics and Civilization I am already erkku working on new books which I hope to finish much sooner this time.

This book introduces an archaeological approach to the study of media – one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded.

According to him, the problem was that “discourse analysis ignores the fact that the factual condition is no simple methodological example but is in each hubtamo a techno-historical event. It could be claimed that a compilation of texts that have already been published would have served this purpose.

Huhtamo, Erkki and Jussi Parikkaed. The “new film history” can arguably be seen as a parallel enterprise to media archaeology; both have their origins in the s and hihtamo continuing to evolve.

Finnish Museum of Photography. More recently Professor Huhtamo introduced Mareorama Resurrected, a stage work that features a reconstruction of a nineteenth-century moving panorama and live piano music performed so far in Los Angeles, Chicago, and Pittsburghand From Dole to the Pole, or Professor Huhtamo’s Daring Adventures Los Angeles, One way of explaining this division is to see erkkl as a consequence of different readings of Foucault.

It could be claimed that media archaeology is new historicist in its essence, but this would be too gross a generalization. Here is a back view of the erkkk panorama.