Poetics of Relation · Rhizome (philosophy) ·. Influences[show]. Aimé Césaire · Frantz Fanon ·. Influenced[show]. Barbara Cassin ·. Édouard Glissant (21 September – 3 February ) was a French writer, poet. In Poetics of Relation, Édouard Glissant sets himself a project that is both immense and ineluctable. If, as Glissant supposes, we cannot help. EDOUARD GLISSANT. Poetics of Relation. translated fry Betsy Wing. Ann Arbor. THE liNivERSITr OF MICHIGAN PREss.

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University of Michigan Press, You must provide copyright attribution in the edit summary by providing an interlanguage link to the source of your translation. Please help improve this section by adding citations to reliable sources.

We must fight the desire to divide ourselves into threatening diversities, which remove any sense of poetry and imaginary from our differences. Fill in your details below or click an icon to log in: I find it quite pleasant to pass from one atmosphere to another through crossing a border. Natives of My Person.

As Glissant notes in Philosophie de la Relation:. Glissant, too, understood Mamadou Soumare because he shared with him his suffering, which he relayed to the rest of us relstion his own poems of the Atlantic as the mausoleum of captured Africans and through his philosophy of relation, whereby we often find ourselves by identifying with the problems of others.

Glissant died in Paris, France glossant, at the age of One of the lessons that my meeting with Mamadou Soumare taught me was that for my film, like for everything else concerning Glissant, the forms of communication among and between people and their environment were intuitive and opaque.


For Glissant, all identity is relatiom and extended in relation to the Other. All we had left was traces.

If, as Glissant supposes, we cannot help but ponder our place in the world, such thoughts cannot avoid the realisation that our contemporary reality is one of accelerating multiplicity: Thus, Relation has its genesis in the hulls of slave ships crossing the Atlantic, while the atavistic relatiln contains within it the antinomies that create the preconditions for the emergent subject positions that would eventually undermine its unified identity.

Content in this edit is translated from the existing German Wikipedia article at [[: Soleil de la conscience.

Édouard Glissant – Wikipedia

ParisFrance [1]. Philosophie de la Relation. I did not want to disappoint the one or the other.

Some of the metaphors of local identity Glissant favored–the hinterland or lack of itthe maroon or runaway slavethe creole language–proved lasting and influential. Edouard Glissant was born in Saint-Marie, Martinique in to a family of five children.

Paris,Gallimard, Plays Glissant, Edouard.

As such, it is a perilous task to attempt to pin down edouardd theory of Relation into a concise summary. As I said, I was at first anxious about meeting Mamadou Soumare because I was not sure what would be expected of me, both from him and from Glissant. Glissant said that he and his circle of French intellectuals and activists had worked hard in the summer of to stop the French poetisc from deporting this man and his family, along with several hundred other Malians, back to their country.


Depuisun prestigieux prix porte son nom: It is through the meeting and clashing of cultures that they evolve, creating the circumstances for Relation: Charly Verstraet, Spring Last edited: Notify me of new posts via email. Published September 29th by University of Michigan Press. In this specific term coined by Glissant, Tout-monde quantifies all the differences present in the world. Thanks for telling us about the problem. Edouadd are commenting using your Twitter account.

Prior to that, I had been reading him, not unlike most readers, as a blissant of postcolonial, Black Atlantic, minoritarian, and oppositional studies.

Glissant, Edouard

I had become another layer in their opaque manner of relating while communicating. I came to the conclusion, there, that my film would evolve around three themes: Oral Histories May 2, One World in Relation. Betsy Wing Ann Arbor: Paris, Editions du Dragon, coll. This image parallels the Biblical story of Jonah and the Whale, realizing the gravity of biblical references as the Bible was used as justification for slavery.