ANDANTE ET SCHERZO BARAT PDF

Andante Et Scherzo Andante Et Scherzo By J. Edouard Barat. For C or B-flat Trumpet and Piano. [J. Edouard Barat] on *FREE* shipping on. Hello, I’m looking for a recording of Andante et Scherzo by Barat. I know Phil Smith did a recording of it, but I don’t want to have to spend $15+. su_spoiler icon=”folder-1″ title=”Kenneth Jones” style=”fancy”] [yt_player link=” ?v=b4nravQzrWQ”] [yt_transcript seek=”0.

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Andante et Scherzo by Barat | Trumpet Forum & Trumpets For Sale

Sometimes it’s taking a chance and taking on a piece of music that helps to push our technique to a new place. But my heart breaks every time I hear the entrance in Mahler 5 with a weak triple tongue. As trumpet players, we tend st try to push our limits and falter because of it. I might have to look into doing it somewhere sometime.

I’ve seen more than a few times a high school kid who bit off way more than they could realistically accomplish, and I don’t agree with that – that’s setting a person up for failure, and that’s the kind of experience that can cause an aspiring young musician to stop playing. Alright, I’m going to save you a lot of anguish later in your trumpet playing career.

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Jul 16, 5. I was thinking that dodecatuple tonguing the hemidemisemihemidemisemiquaver would be best.

I think that there should be limits to this though. That being said, keep working on your multi tongue for when you have to use it. This question comes up WAY to often. Do you already have an account? Yes, my password is: Your name or email address: I played the Goedicke Concert Etude as contest solo as a Junior in high school, and although my double tonguing technique wasn’t fantastic when I started it, by pushing myself through that piece of music, it improved it a lot. Anante 16, 6.

I have played and performed that piece and you should, indeed, double tongue the 16th notes in the scherzo. Don’t take a chance on a performance using an underdeveloped technique when you can do it more comfortablly. Jul 16, 4.

Andante et Scherzo by Barat

That’s what helped me to develop my foundation for my multiple tonguing. Jul 16, 2. You must log in or sign up to reply here. Do what feels good and sounds good.

Personally, I think I’d double tongue them. Jul 16, 8. That means most players can single better than they can multi. No, create an account now. Here’s the ft, you learn to single tongue from the very beginning but you’re pretty far into your trumpet playing career once you can multi tongue, and it may not even be good for a few years after that. Jul 17, 9.

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Has anyone played Andante et Scherzo by Barat? Can you play in style, at tempo, correctly and it sound good with single tonguing? I know that some always talk about doing what’s right for the music, but sometimes and this is just an opinion when a player is in their formative years, I think it’s ok to maybe take the risk and put the anxante second for the sake of the student who is striving to become better.

If you need to double tongue at a certain tempo, learn to do it well and no one can tell. Aside from that, I’ve never played it – sounds like a neat tune though. If not, do a multi-tongue.

If listeners can tell you are double tonguing then you need to work more on it. Bill Dishman Gainesville, Florida. Search Media New Media.

Jul 16, 7. Jul 16, 1. In my memory, I did a pretty good job of it too. If the answer is nadante, then do it. If single tonguing is fast enough then use it.